Look at a light.
Stare into the bulb without blinking for a few moments.
Look away.
Close your eyes.
Do you see the light dancing on your lids?
Move your eyes.
Do you see how the light follows? Like an annoying little shadow. A copycat that won't let you be.
Open your eyes.
It's still there. Glowing. Glaring. Following you until it fades.
That's the best way I can explain the creatures I saw in the dark. My mother would sing us rhythmic, gentle bedtime songs, scratch our little backs, crack all our toes (don't ask me why -- I abhorred this part of the nightly ritual), and turn off the light. She padded out the door and pulled it shut behind her.
"Not all the way!" I'd plead in panic.
"AIMEE..." my siblings whined.
"I'll leave it open just a crack," my careworn mother compromised.
And my monsters materialized. The glowing dots crawled up the walls and morphed into the creatures of my nightmares. Massive hordes of scorpions, flaming skulls and skeletons, spiders dripping venom and faceless men astride amoeba-esque steeds. Squeezing my eyes shut, I'd force myself to imagine other things. I'd picture ponies, puppies, fluffy clouds and coloring book style rainbows. I'd focus on a scorpion driving its stinger into my iris and try to imagine a pony until the glowing light lost a couple legs and grew a soft nose. I'd hold onto this image as long as I could, praying that it would remain even when I relaxed my mind.
But I always lost control and it always gleefully returned to its sinister shape.
Has the light faded from your eyes yet? Yes?
Well. Mine never did. Those creatures would haunt me until I fell asleep.
Outside was a whole new level of terror. I could control the environment in my room. I could search it thoroughly before going to bed, making sure there were no creepy crawlies lurking behind my model horses or hiding between the hangers in my perfectly organized closet. My mother always thought I had naturally tidy tendencies, but it was cleanliness inspired by childish paranoia. If there was nothing underneath my bed, there would be nothing to hide the monsters. If the trinkets lining my shelves were dusted and displayed properly, spiders wouldn't have time to make webs and lay eggs and crawl into my ears as I fitfully slept.
Outside. I did a lot of running outside. Running from the car to the house. Running from the house to the car. Running from streetlight to streetlight. Running to escape the creatures in the dark.
I learned to ignore my fear when I was about 15. I began facing my fear when I was in university and started practicing an acting technique called "Chekhov," which is a method of arriving at an honest emotion from the outside in. One of the exercises required us to use the archetype of "radiator of warmth" with the quality of "first time" pasted on. According to Chekhov, a radiator of warmth moves through space expecting the best out of everything and everyone. A radiator of warmth seeks out the beautiful and looks for the good. The quality of "first time" means that you approach each object and person with a beginner's mind.
Red doesn't mean stop.
Red doesn't mean passion.
Red doesn't mean aggression or love or courage.
Red means nothing. Red is red is red. Why? Because you've never seen it before so it has no attachment to anything.
I practiced this exercise on walks. However, as a full-time student and worker of three jobs, the only time I had available to walk was at night. I suppose some people in my position would fake the assignment or just tell their professor that they didn't have time... but me? Well, I'm fairly neurotic and suffer from a few irrational fears, but I am an awesome student.
So I walked. In the dark. For hours.
And I loved it. I found beauty and life and warmth in the dark. I moved languidly because I wanted to soak it all in, studying the way the stars cast light through the black branches of the trees overhead and hearing the sounds of the night without taking time to label. I sat on curbs, in parks (long-since closed for the night), in fields and parking lots. I walked beside the river barefoot, that I might add the sensation of touch to my beginner's mind.
I fell in love with walking. Moving slowly was a whole new way of experiencing life, and I found it to be a much more abundant way of living. When I move slowly, I am here. When I move quickly, I am simply trying to get to there.
In Newport, Wales (look at me turning this back into a travel blog) people seem to move slowly. I have visited several cities built around various types of transportation. Cities built around cars (Grand Junction), cities built around motorbikes (Marrakech), cities built around bicycles (Copenhagen), cities built around metros (Paris), cities built around walkers (Prague), and cities built around boaters/walkers (Venice). However, Pembrokeshire is the only place I've ever visited built around walkers/sitters.
People in Pembrokeshire walk everywhere, but they don't walk to get somewhere. They walk to enjoy the walk.
Evidence?
Everywhere there is a view worth seeing, there is a bench for sitting to relax and enjoy the view.
Pembrokeshire is a place for sitters.
Kim went way out of her way to show me the best places to sit. Her kindness, enthusiasm, and generosity were overwhelming, and I felt so damn lucky waking up in her spare bedroom every day. She took the entire week off of work so that she'd have time to take me walking, introduce me to her friends, and help me pursue a few of my challenges.
I walked to the estuary... |
To a burial chamber... |
My second night in Newport, Kim took me out to the Boathouse to watch the sunset. And for drinks. There were many people sitting on benches. |
Staying with Kim was good for me. She laughs so easily and helped me to realize that some things just weren't a big deal -- like taking the wrong ferry to Wales. Thanks for everything, Kim. |
I didn't see any angels, but I did see some very cute Shetland ponies. |
Alternate view of Carningli |
Another walk was to the Pentre Ifan Burial Chamber. This was arranged (feels a bit odd to say "built) in 3500 B.C. and is the oldest neolithic dolmen in all of Wales.
In southern France, you look through palm trees and see boats. In Ireland, you look through hedge and see COWS. In Wales, you look through gnarled branches and see sheep. Lots and lots of sheep. |
Although she kind of sucks at sharing the couch... |
I chose to swim in the Atlantic. It was that hot. Truly. I didn't need Roisin to practically chase me into the water. |
Another walk was through the woods to an old church with "bleeding" yew trees. There was something ghastly but entrancing about the graveyard.
The mounting block outside the church. People would lead their horses to the edge, step up to where they felt comfortable, and mount their horses. Like proper pansies. |
Bleeding yew |
Inside the church |
Map of coastal path |
These remnants of tree resemble a dinosaur footprint. |
A cross carved into the rock. People stuff pennies into it for luck. |
And then move on. Find yourself another bench.
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